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We feature numerous, exclusive artworks made especially for Gallery 11 with Shibuya in mind. The collection aims to get to the heart of Shibuya around a theme of “art that survives the decade rather than lasts the century.”

It's a beautiful day I / II

The 90s saw a genre of music termed Shibuya-kei ("Shibuya-esque"). These works represent the rhythm and tone of that sound through geometrical motifs and use of color. Computer-generated rhythms, analog fluctuations and the feel of layers of sound have been recreated here in an abstract form.

These works represent Shibuya through the practically coalescing group of buildings in the city and the buildings soon to be completed. The parts that make up the walls of the buildings are drawn fluidly without taking on definite form.
These works depict Shibuya, an everchanging city, and its everchanging skyline. The countless primary colors used in these paintings represent the energies of the people who visit the city.

ARTIST

Enlightment

Enlightment

ENLIGHTENMENT is an artistic unit made up of Hiro Sugiyama in 1997. This artist unit consisting of Hiro Sugiyama, Yuta Nakajima, Mayu Yoshida, and Mayu Tsunoda.
The unit exhibits pieces at exhibitions in Japan and across the world in the fine arts space while also putting out free papers and art books.
They also continue to release their original graphics in the form of advertisements, magazines and CD jackets.
Having also received high praise for their audiovisual work such as music video production and video jockeying, ENLIGHTENMENT is creatively active across a broad range of spheres including three-dimensional pieces and spatial performance, in addition to two-dimensional work.

SOUNDS OF SHIBUYA “J-POP”/ “HIPHOP”/ “TECHNO”/ “METAL”

Shibuya, the origin point of youth culture. All kinds of music come pouring out street shops, mixing with the noise of the streets to create the sounds of the Shibuya environment. It almost seems to symbolize the scramble of intersecting peoples, generations and values. The personalities of each person create the harmony and unity of strangeness and peculiarity which form the city we call Shibuya. For this event, I have created a series of four paintings that visualize the four genres of music that I imagine when I hear the words "Sounds of Shibuya."

ARTIST

DENPA

DENPA

Based on their "no concept" production philosophy, DENPA take an approach to art that seeks to abstractly express in naïve visual pleasure qualities and nuances that cannot be put into words. Based in their native Okinawa, they have held exhibitions in Brooklyn, New York, as well as locations across Japan, and are active worldwide, working with POW!WOW!, HAWAI, avex, Fujitsu and Yahoo! for their office mural.

Keiji Ito

This piece takes as its theme the well-known story of the faithful dog, Hachiko.
The time Hachiko spent as the loving companion of his owner, Hidesaburo Ueno, is said to have been barely 16 months, but the months and years followed Ueno's sudden death, when he would nevertheless come to Shibuya Station to wait for him, extended many times that to almost a full decade. My chest always tightens imagining what he must have felt.
Tired after his years of waiting, Hachiko, whose name is also the Japanese word for "8," lay down one day, forming an "∞" shape, before crossing the Rainbow Bridge to the other side. He was then finally reunited with the person he loved most. I can only imagine how happy he must have been. This picture depicts just that moment. It is drawn in the hope that the two can be together forever in the next world.

ARTIST

Keiji Ito

Keiji Ito

Born in Tokyo in 1958, Ito has mainly been active as in graphic work and art direction. He has worked on visuals for Kirinji, Towa Tei, Scha Dara Parr, the Aichi World Expo 2005 official poster, NHK program title graphics and set designs, UK company Cravendale, and campaigns for Softbank.
Ito's work has been exhibited numerous times in Japan, such as at the "VERDE COSMICO" PACEL exhibition (Bakurocho). He is also actively involved in putting out art anthologies. He is a professor at the Kyoto University of the Arts and is the director of UFG.

Born in Tokyo in 1958, Ito has mainly been active as in graphic work and art direction. He has worked on visuals for Kirinji, Towa Tei, Scha Dara Parr, the Aichi World Expo 2005 official poster, NHK program title graphics and set designs, UK company Cravendale, and campaigns for Softbank.
Ito's work has been exhibited numerous times in Japan, such as at the "VERDE COSMICO" PACEL exhibition (Bakurocho). He is also actively involved in putting out art anthologies. He is a professor at the Kyoto University of the Arts and is the director of UFG.

Professor

Yuta Nakajima

Professor

When we think of Hachiko, we tend to imagine the faithful dog who waited and waited for his owner, Professor Ueno. But Hachiko was also beloved by many other people, such as the mother of broadcast writer Fumio Takada , who would often feed him in Shibuya. So, some people like to say that far from waiting faithfully for the professor, Hachiko was just a dumb dog who came to Shibuya Station because people fed it. I cannot hide my excitement at the idea that this version of Hachiko wound up being cast in bronze and surviving to this day as the symbol of Shibuya. Hachiko the best boy!

ARTIST

Yuta Nakajima

Yuta Nakajima

Major group exhibitions
2023 "WAVE," JAPAN HOUSE (London)
Major solo exhibitions
2023 "CERTIFIER," X8 GALLERY (Tokyo)
2023 "TRANSFER" YUGEN Gallery (Tokyo)

Nakajima works as an artist and art director, and is a member of ENLIGHTENMENT. He studied under the tutelage of artist Hiro Sugiyama. He has adopted a production style in which he samples old films and books, as well as online and AI-produced images, which he digitally processes then paints on canvas.

Major group exhibitions
2023 "WAVE," JAPAN HOUSE (London)
Major solo exhibitions
2023 "CERTIFIER," X8 GALLERY (Tokyo)
2023 "TRANSFER" YUGEN Gallery (Tokyo)

Nakajima works as an artist and art director, and is a member of ENLIGHTENMENT. He studied under the tutelage of artist Hiro Sugiyama. He has adopted a production style in which he samples old films and books, as well as online and AI-produced images, which he digitally processes then paints on canvas.

Vestiges of the City

Yukiko Yamazaki

Vestiges of the City

hibuya seems to me like a city that is always under construction and where the culture of the city is always gradually changing.
Finding vestiges that remain within this everchanging city is the archaeological fieldwork for Shibuya's street culture crowd, fieldwork that I think once again gives rise to new culture. This piece is created to visualize this feeling of being repainted from above while the things that remain entangle themselves while being connected to somewhere else.

ARTIST

Yukiko Yamazaki

Yukiko Yamazaki

After graduating from the Kyoto University of Art and Design, Yamazaki has been active as an artist in Tokyo.
Major exhibitions
・2019 "PAINT(ing)COMPLEX"/Tokyo Culture by Beams
・2020 "Collapsing Paintings"/OIL by Bijutsu Techo
・2023 "There's a Bug Here"/VOILLD
Career highlights
・Main visuals for "Toi Haru," the first major single from Skirt (Wataru Sawabe)
・Promotional visuals for the adidas original "OZWEEGO"
・Visual production for the SLY 2020ss collaboration products.
・Inside mural for the Itoki former Nihonbashi office.

After graduating from the Kyoto University of Art and Design, Yamazaki has been active as an artist in Tokyo.
Major exhibitions
・2019 "PAINT(ing)COMPLEX"/Tokyo Culture by Beams
・2020 "Collapsing Paintings"/OIL by Bijutsu Techo
・2023 "There's a Bug Here"/VOILLD
Career highlights
・Main visuals for "Toi Haru," the first major single from Skirt (Wataru Sawabe)
・Promotional visuals for the adidas original "OZWEEGO"
・Visual production for the SLY 2020ss collaboration products.
・Inside mural for the Itoki former Nihonbashi office.

Carpe Diem Kekkai

Ichiro Tanida

Carpe Diem Kekkai

Carpe diem may be the antonym of memento mori, but put against each other back to back they mean the same thing. Let's eat drink and be merry! Let's value the time we call now and seize the beautiful day we call today. Because the world is an uncertain place.

ARTIST

Ichiro Tanida

Ichiro Tanida

Tanida has been active across a broad range of fields since the late 1980s, including as an illustrator, a graphic designer, a CG creator and an ad director. In 2022 he made his debut as a modern artist at the Akio Nagasawa Gallery. He is set to have a solo exhibition there in Fall of 2023.

Tanida has been active across a broad range of fields since the late 1980s, including as an illustrator, a graphic designer, a CG creator and an ad director. In 2022 he made his debut as a modern artist at the Akio Nagasawa Gallery. He is set to have a solo exhibition there in Fall of 2023.

Windowscape

Mayumi Tsuzuki

Windowscape

This painting colorfully depicts feelings and memories that come tumbling out of daily life, taking ordinary, immediately visible scenes such as buildings and plants as its motifs. I have enjoyed the culture of Shibuya since I was a high school student, be it the shopping, fashion or art. I also visit it as a place to communicate with friends. The many colorful windows of this piece invite the viewer to imagine the people gathering there, portraying a dream-like world at the intersection of the ordinary and extraordinary.

ARTIST

Mayumi Tsuzuki

Mayumi Tsuzuki

Tsuzuki is active in a variety of media, working in an illustration, focused on literary art book covers and editorial illustrations, lithograph art featuring etchings made through her unique analog x digital methods incorporating fine pencilwork images, painting and the production of "fabric trophy" physical objects that imitate taxidermy. Her work has been frequently features in Japan and abroad at events such as the SCOPE ART SHOW, the tugboat art fair, ONE ART TAIPEI and WAVE.

Tsuzuki is active in a variety of media, working in an illustration, focused on literary art book covers and editorial illustrations, lithograph art featuring etchings made through her unique analog x digital methods incorporating fine pencilwork images, painting and the production of "fabric trophy" physical objects that imitate taxidermy. Her work has been frequently features in Japan and abroad at events such as the SCOPE ART SHOW, the tugboat art fair, ONE ART TAIPEI and WAVE.

NEUROMANCER

Tai Ogawa

NEUROMANCER

In the pit that is Shibuya a chaotic magic accumulates.
In the past the energy of that chaos would give rise spontaneously to new systems of values.
But amidst the new cityscape born of the redevelopment of Shibuya in recent years, I feel those magics have been driven out.
Rather than the new stories that come out of those jumbles of inorganic buildings, I am interested in the melting pot of energy that used to be here.
And so, I have created this piece as a kind of requiem for that Shibuya.
The title comes from the William Gibson science fiction novel, which gave rise to the idea of cyberpunk.
If I had to put it into words, I would call it the Shibuya City Blues.

ARTIST

Tai Ogawa

Tai Ogawa

Runner up for the 2022 WATOWA ART AWARD. Featured in the JAPIGOZZI Collection.
Ogawa's work is centered in Tokyo and has been displayed in solo exhibitions in Osaka, New York, Hong Kong and Italy.
Ogawa's recent solo exhibitions have included 2021's "Basic of a Revenge" L+/Lucie Change Fine Arts/Hong Kong, 2022's "The Monkey Thought" YOD Gallery/Osaka, and 2023's "Rendezvous" Kameido Art Center/Tokyo.

Runner up for the 2022 WATOWA ART AWARD. Featured in the JAPIGOZZI Collection.
Ogawa's work is centered in Tokyo and has been displayed in solo exhibitions in Osaka, New York, Hong Kong and Italy.
Ogawa's recent solo exhibitions have included 2021's "Basic of a Revenge" L+/Lucie Change Fine Arts/Hong Kong, 2022's "The Monkey Thought" YOD Gallery/Osaka, and 2023's "Rendezvous" Kameido Art Center/Tokyo.

"The Wall" SBY MIX 2023

Hiro Sugiyama

"The Wall" SBY MIX 2023

As you walk around Shibuya you encounter works of graffiti and wall art. New pieces are painted again over the top of older ones. This piece samples those works of graffiti and recreates them on the canvas, before removing the color from the image to extract just the silhouettes of those motifs, expressing them in a more abstract form.

ARTIST

Hiro Sugiyama

Hiro Sugiyama

Born in Tokyo, Sugiyama studied under Teruhiko Yumura before turning freelance. In 1997, he founded ENLIGHTENMENT.
His major exhibitions to-date have been 2023's "Monochrome Colors" (SPEEDY GALLERY, Los Angeles), 2022's "Monochrome Colors" (Lurf MUSEUM), 2007's "Roppongi Crossing" (Tokyo, Mori Art Museum), 2003's "PLANET UNDER A GROOVE" exhibition (Munich, Germany), 2001's "Superflat" exhibition (Los Angeles, MOCA, Henry Art Center). He has also exhibited his work at numerous events throughout Japan.

Born in Tokyo, Sugiyama studied under Teruhiko Yumura before turning freelance. In 1997, he founded ENLIGHTENMENT.
His major exhibitions to-date have been 2023's "Monochrome Colors" (SPEEDY GALLERY, Los Angeles), 2022's "Monochrome Colors" (Lurf MUSEUM), 2007's "Roppongi Crossing" (Tokyo, Mori Art Museum), 2003's "PLANET UNDER A GROOVE" exhibition (Munich, Germany), 2001's "Superflat" exhibition (Los Angeles, MOCA, Henry Art Center). He has also exhibited his work at numerous events throughout Japan.

Puzzle

Mica Suga

Puzzle

Shibuya grows and develops like a living creature while emitting a signal from its own antenna. Even though I have long grown accustomed to the city, I still find myself getting lost in confusion amidst Shibuya's everchanging faces, wandering above and below ground as though through a puzzle while tracing out memories. I have attempted to visualize the image of the Shibuya that welcomes me in so carefree a manner not as a real city, but in a colorful way.

ARTIST

Mica Suga

Mica Suga

Born in Oita, Suga studied fashion illustration at Setsu Mode Seminar and etching at a lithography workshop. Inspired by fashion and design advertising and magazines, she became an illustrator. She now puts out her own work that spans genre boundaries as a form of self-expression. In addition to her works incorporating collages using traditional Japanese tissue paper (washi) for engravings, her art is also defined by direct expressions of people and imaginary landscapes using acrylics and oils. Her work has a running theme of mystery and illogicality.

Born in Oita, Suga studied fashion illustration at Setsu Mode Seminar and etching at a lithography workshop. Inspired by fashion and design advertising and magazines, she became an illustrator. She now puts out her own work that spans genre boundaries as a form of self-expression. In addition to her works incorporating collages using traditional Japanese tissue paper (washi) for engravings, her art is also defined by direct expressions of people and imaginary landscapes using acrylics and oils. Her work has a running theme of mystery and illogicality.

May

Norishige Sasabe

May

When I was a student, I would come to record shops to encounter new music, big bookstores to look at the art and photo albums amidst all the other stimulations offered by the city of Shibuya. Holding my first private exhibition here, I also encountered like-minded people.
I hope that Shibuya is able to continue to be a place where cultures and people can mingle.
Through this piece I have attempted to visualize a city constantly emitting bracing light that inspires bright futures.

ARTIST

Norishige Sasabe

Norishige Sasabe

Working as an illustrator since the 1990s, Sasabe has contributed pieces to magazines and books while presenting his own work in solo and group exhibitions.

Working as an illustrator since the 1990s, Sasabe has contributed pieces to magazines and books while presenting his own work in solo and group exhibitions.

unintentionally

Hayato Sakaguchi

unintentionally

Different generations and different cultures mix and layer atop each other. The city constantly changes. I created this piece while wondering what sort of painting you would get if you sought to depict such a Shibuya by constructing it out of motifs that are unrelated to Shibuya.

ARTIST

Hayato Sakaguchi

Hayato Sakaguchi

2018 Graduated from the Illustration program at Kyoto Seika University
Solo exhibitions
2022 THE blank GALLERY Tokyo
2019 CLASS Tokyo
Group exhibitions
2023 "NEW PAINTING TOKYO 3" Akio
Nagasawa Gallery Aoyama Tokyo
2022 "WAVE 2022" Arts Chiyoda 3331 Tokyo

2018 Graduated from the Illustration program at Kyoto Seika University
Solo exhibitions
2022 THE blank GALLERY Tokyo
2019 CLASS Tokyo
Group exhibitions
2023 "NEW PAINTING TOKYO 3" Akio
Nagasawa Gallery Aoyama Tokyo
2022 "WAVE 2022" Arts Chiyoda 3331 Tokyo

Diagram of a Quantum Garden - Shibuya, Tokyo

EXCALIBUR

Diagram of a Quantum Garden - Shibuya, Tokyo

This work takes as its themes "space" and "gardens." It is an image of a Shibuya garden that draws inspiration from quantum physics. The painting suggests that in the "bit valley" of Shibuya, where all manner of information and all kinds of people's workings intersect day and night, a multiplicity of realities exist. The artist hopes that as the new stories of people from across the world who visit Shibuya recur, the future continues to be born.

ARTIST

EXCALIBUR

EXCALIBUR

EXCALIBUR is a contemporary art society based in Tokyo and Kyoto. Taking as its theme the layering of the real and the virtual through the motto "street ethernet field," they seek to transform personal memories intersecting with stories and myths into art that serves as a social record. Their major recent exhibitions have included "The Postmodern Child" (Busan Museum of Modern Art, South Korea, 2022-2023), the solo exhibition "NEW GAME +" (Sato Gallery, France, 2021).

EXCALIBUR is a contemporary art society based in Tokyo and Kyoto. Taking as its theme the layering of the real and the virtual through the motto "street ethernet field," they seek to transform personal memories intersecting with stories and myths into art that serves as a social record. Their major recent exhibitions have included "The Postmodern Child" (Busan Museum of Modern Art, South Korea, 2022-2023), the solo exhibition "NEW GAME +" (Sato Gallery, France, 2021).

geo_002

Chizuko Ninomiya

geo_002

This image includes geocodes indicating global longitude and latitude, map app pins and social media post timestamps as constituent elements.
The geocode shown in the image (35.65820821828761,139.70158215199302) is for Shibuya Station, a landmark near to the hotel.
The piece also uses as visual elements the timestamps of social media posts made within a kilometer radius of Shibuya Station with the keyword "shibuya" or posts with the hashtags "hotelindigo" (on Twitter, Instagram etc.) or "shibuya" in March 2023, the month that this hotel was completed.
For example, where it says "21:00:12" in this piece, this is the timestamp of the actual Instagram post.

ARTIST

Chizuko Ninomiya

Chizuko Ninomiya

Chizuko Ninomiya initially studied law as a student before working as a systems engineer at a financial institution, before being active as a contemporary artist.
While mobile devices have become pervasive and telecommunications networks have been established, giving people more opportunity than even to encounter images that are the result of processing by digital systems, consciousness of the systems and processes behind those images remains largely absent.
In recent years, she has reconstructed and presented programming languages and processing as art pieces, turning her attention to themes of "casting light on unseen things" at the same time as looking at the "ethics/ideology (of a technology-wielding humanity)."
Hewing to the idea that the history of art is inseparable from the history of technology, Ninomiya produces works that act as hooks into the near future, incorporating elements of the exponentially advancing technology of our day while commenting on human ethics.

Chizuko Ninomiya initially studied law as a student before working as a systems engineer at a financial institution, before being active as a contemporary artist.
While mobile devices have become pervasive and telecommunications networks have been established, giving people more opportunity than even to encounter images that are the result of processing by digital systems, consciousness of the systems and processes behind those images remains largely absent.
In recent years, she has reconstructed and presented programming languages and processing as art pieces, turning her attention to themes of "casting light on unseen things" at the same time as looking at the "ethics/ideology (of a technology-wielding humanity)."
Hewing to the idea that the history of art is inseparable from the history of technology, Ninomiya produces works that act as hooks into the near future, incorporating elements of the exponentially advancing technology of our day while commenting on human ethics.

City of Evolution

snAwk

City of Evolution

While the graffiti, stickers and taggings you see all around the streets of Shibuya continue to be chaotically overwritten atop one another, viewed observationally over a long span of time, they can be read as stored up "street history." My own work, with its overlapping random images, bears a resemblance to it. This piece expresses a Shibuya that is a city at the apex of "time and the accumulation of history" as a "crystallization of human progress and wisdom." In making this piece, I walked around the center of Shibuya at night, gathering the "lights" emitted from advertisements, neon signs and construction sites, sampling them in my own work. In the culture that colors this place, I feel an energy that progresses beyond the city, beyond nations and beyond time.

ARTIST

snAwk

snAwk

snAwk graduated from the Visual Arts program at the Emily Carr University of Arts + Design (Vancouver, Canada). After returning to Japan in 2007, he began working as a stencil artist. Primarily based in Tokyo, his work has been displayed in exhibitions and art fairs across London, New York and Taipei. His recent major exhibitions have included WAVE 2021 and 2022 (Arts Chiyoda 3331, Tokyo) and the private exhibition HARDWARE AGNOSTIC (VINYL TOKYO, 2023).

snAwk graduated from the Visual Arts program at the Emily Carr University of Arts + Design (Vancouver, Canada). After returning to Japan in 2007, he began working as a stencil artist. Primarily based in Tokyo, his work has been displayed in exhibitions and art fairs across London, New York and Taipei. His recent major exhibitions have included WAVE 2021 and 2022 (Arts Chiyoda 3331, Tokyo) and the private exhibition HARDWARE AGNOSTIC (VINYL TOKYO, 2023).

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